His vision of architecture:
He decided to become one of the representatives of past, wanting to show to the world the horror of his history while integrating into these exhibitions a new hope, a will to make better tomorrow than yesterday, to understand the past, and to assimilate it. He does not want to make architecture meaningless which contents itself with its harmonious forms, he prefers to give a strong message, and he wants to cause an impact on the visitors. According to him, human existence is broken with so much violence so the structure of the life remains forever twisted and upset. We find this state of mind in the way he designs its buildings with deconstructivist shapes. Many critics say that he is a deconstructivist, but Libeskind likes to thinks that he is a contemporary architect and that he works with his time.
He opposes to Mies van der Rohe, Walter Gropius in their idea that buildings must be neutral. He does not want to surround himself with neutral buildings; he prefers to face the history complexity and disorder of the reality. He wants to feel in the building a soul, a memory, a sense. At the beginning of every project, he tries to perceive the " essence of the site " He wants to create buildings, which respect and reflect the story of the place, the location, or the story of the building, which were here before; he wants his building to spread emotion to the people who will run over it. The emotions he wants to arouse have to testify a past, history, an understanding and a respect of what bring us here. He says that his memorials are not for the dead but for the living.